A skilled director of visceral, real-world horrors, Bigelow dramatizes a 1967 incident that left 3 young black men dead at the hands of the police. The result is unflinching and effective.
Law enforcement agents confront a grim scene on the frozen Wyoming landscape in Taylor Sheridan's new film. Critic David Edelstein says that despite some clumsy plotting, Wind River hits home.
The police procedural/Western centers on the death of a Native American teenage girl. Critic Bob Mondello says the film paints a searing portrait of life on society's margins.
Kathryn Bigelow recreates a true, largely forgotten incident of brutality in her latest film. Critic David Edelstein says Detroit triggers a sense of powerlessness that is visceral.
We discuss Luc Besson's big-budget, bonkers-bananapants would-be blockbuster Valerian and the City of a Thousand Planets, which looks unlikely to bust any blocks.
Rachel Martin talks with film reviewer Claudia Puig about two very different movies opening this week: Atomic Blonde, starring Charlize Theron, and Kathryn Bigelow's Detroit, about the 1967 riots.
In 2006, Al Gore issued a forceful warning about the threat of climate change in An Inconvenient Truth. He's followed it up with a sequel that shows how far we've come — but with plenty of caveats.
A gawky young man (SNL's Kyle Mooney) raised in isolation re-enters the world — but can't let go of his obsession with his favorite TV show in this quirky, imaginative little film.