In her previous work, director Sofia Coppola looked out from inside the bubble that wealth and privilege create. Her latest film grapples with a different — but related — form of isolation.
Critic Andrew Lapin praises the "unique, understated comic irony" of this largely autobiographical rom-com about a couple whose young relationship gets tested by matters cultural — and medical.
Sofia Coppola's lush visual aesthetic infuses this study in sublimated lust with just enough sly, Southern-Gothic bodice-ripping to intrigue and satisfy.
Director Patrick Shen features plenty of talking heads opining about our essential need for quiet and solitude, but this film works best when he captures moments of pristine, meditative stillness.
Comedian Kumail Nanjiani steps into the leading role in a semi-autobiographical love story. It's a quietly groundbreaking crowd-pleaser, though some characters aren't as fully dimensional as others.
The film tells the true story of Maud Lewis, a woman from a small town in Nova Scotia, who, with no formal training, became one of Canada's most celebrated folk artists.
The lousiness of The Mummy isn't the stars' fault — it's the storytelling. Universal has announced plans to make more like it, which is scarier than anything in the movie itself.
This raunch-fest comedy about a wild (and lethal) bachelorette party stumbles out of the gate, but once Kate McKinnon's Aussie-for-no-particular-reason character shows up, so do the laughs.