The success of movies like Crazy Rich Asians and Netflix's recent summer offerings may signal a resurgence of a sometimes beloved and sometimes bemoaned genre: the romantic comedy.
Richard Kraft is selling an entire warehouse of Disney memorabilia. Thousands of people are showing up to look at his collection before it goes up for auction.
In writer/director Colin Minihan's slack but stylish horror thriller, two women visit a remote cabin to celebrate their anniversary; a deadly cat-and-mouse game ensues.
Regina Hall stars in this comedy set in a chain sports bar where young female servers scramble for tips, but the underwritten screenplay relies on a ceaseless stream of clunky one-liners.
To make Penelope Fitzgerald's astringent novel more broadly palatable, adapter Isabel Coixet softens it nearly beyond recognition. Fitzgerald fans, be warned: The result is marketable but mealy.
Unlike the more allegorical Meet the Feebles or Team America: World Police, this latest excuse to make jokes about puppet-sex isn't interested in doing anything more than make jokes about puppet-sex.
In one scene, Rachel Chu, the fictional lead character in the rom-com, chats with a princess about how small loans are helping women. But do they really?