The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.
In his new book Sellout, writer Dan Ozzi traces a music industry in flux starting in the mid-90s, as punk bands cash in on their cred in exchange for rock stardom and asks, was it all worth it?
Boston-based radio producer Brian Bell remembers Bernard Haitink, and the meticulous approach to music that defined one of the finest conductors of the past half-century.