Music Reviews

Sadie Dupuis' new solo songs are brimming with taut hooks, layers of flittering keyboards and electronic beats that'll get everyone bobbing and moving on the dance floor instead of in the mosh pit.

During the months he spent on the road in 1966, Dylan refined a way of inhabiting and transforming his own songs that was different from anything he'd done before.

The duo's fourth album is a testament to the power of a celebration gone weird, with chopped-up and resequenced hooks working as the raw material for a scathing, fragmentary kind of pop.

Wainwright's singing shows a deep awareness of the multiple meanings that can merge and overflow — even within utterances as direct as a lover's whisper or a lullaby.

Three albums after wrapping his run with one of the most successful country duos of the '90s and early '00s, Dunn deftly carves out a role for himself amid the genre's current youthful landscape.

These recordings, made three years before the Grateful Dead formed, capture the beginning of Jerry Garcia's musical quest to explore every aspect of what makes American music so rich.

At 26, Bachman is already an established voice in the solo guitar music scene, but he knows that evolution comes in steps, not leaps. Here, he presents the most rounded version of himself.

For over four decades, Khalife has made music amid political turmoil and social upheaval. His latest album, Andalusia Of Love, is brooding and wistfully optimistic.

Nearly 30 years into her career, Mazzy Star's singer still takes her time in the pursuit of beauty. Here, she works with My Bloody Valentine's Colm O'Ciosoig, as well as guests like Kurt Vile.