Natalie Portman plays a young Christian woman who is propelled to pop stardom following a mass shooting. Critic John Powers says Vox Lux is inventive — and exasperating.
Sheldon Harnick, John Russell and Steve Young discuss "industrial musicals," Broadway-style productions written and performed at the behest of corporations. Originally broadcast Nov. 5, 2013.
"I'm sorry that I hurt people," the comic said, referring to anti-gay tweets he had posted years earlier. He had initially refused to apologize, only to announce hours later that he was stepping down.
Sure, this lush, blistering riff on pop stardom — and the many ways it intersects with a culture obsessed with both violence and celebrity — is over-the-top. That's the point.
The director of Moonlight has made a new film: If Beale Street Could Talk, based on the James Baldwin novel. He's using it to represent black complexity, vulnerability and skin colors.
Director Josie Rourke's epic, fiercely feminist period piece "does make a powerfully moving case for an uneasy dance between two powerful women hamstrung by male politics."
The first half is a tense, painfully real family drama about the lingering toll of opioid addiction; the second half lurches into thriller territory thick with stock types and cliches.
Poet Tess Taylor says a good poem can "reroute your day" in under five minutes. She offers suggestions for poetry that "takes you to a different place, and then allows you to return a little altered."
"I know he doesn't like the show," says organizer Steve Lazarides, who worked for Banksy for years before the two had a falling out. Banksy's management company says legal proceedings are underway.