Chuck Wendig's brisk new thriller deals in cutting-edge tech, but it's traditional at heart, pitting a rag-tag band of hackers against a big, sinister cyber-entity and the threat of global disaster.
The star of the film Grandma and the Netflix series Grace and Frankie married her partner of 42 years, Jane Wagner, in 2013. Tomlin discusses her work and her decision to be open about her sexuality.
Adam Johnson's new story collection spans the globe from former East Germany to post-Katrina Louisiana. Reviewer Michael Schaub says the book is uneven but enlightening, and brilliant at its best.
After moving to the U.S. in 1906, Kuniyoshi became a prize-winning artist. But with World War II, things changed. "When he walked down the street," says one curator, "he looked like the enemy."
Best of Enemies chronicles the 1968 debates between conservative editor William F. Buckley and liberal novelist Gore Vidal. Critic John Powers weighs in on the legacy of their verbal crossfire.
Mona Eltahawy says as a female in Saudi Arabia you have two options: "To lose your mind or become a feminist." Rafia Zakaria says it's crucial to reclaim the identity of the modern Muslim woman.
There are so many ways to watch TV now that people often feel liberated from old models. But even under some of the new systems for television, as at your better casinos, the house always wins.
Ruth Ware's In A Dark, Dark Wood brings together a group of 20-something women in an isolated rural house for a bachelorette party — a perfect setting for buried secrets and terrible deeds.
Stephanie Clifford's debut novel, about the desperate social strivings of a young woman in Manhattan, has its roots in the tragic, old-money fascinations of Edith Wharton's The House of Mirth.