Critic Chris Klimek says this small-scale, sun-blasted tale of an aging Wolverine's efforts to protect a young mutant "plays like the King Lear of the X-saga."
A bitter retiree hopes a few good deeds will salvage her reputation in this insipid dramedy. MacLaine is Hollywood royalty, but this film is strictly peasant fare.
Critic Ella Taylor admires the performances, but says director Bart Freundlich's latest is a "modestly pleasing, unsurprising indie about a family undone by anger issues."
Those are the words uttered by French performance artist Abraham Poincheval upon leaving the boulder in which he'd entombed himself for seven days. It was Poincheval's latest artwork of endurance.
Maj. Mary Jennings Hegar is part of a lawsuit that argues excluding women from combat is unconstitutional. She says the lawsuit isn't about women's rights – it's about military effectiveness.
Economist and author Tyler Cowen worries that Americans' desire to keep changing has gone away. "The forward march of progress," he says, "is not the main story today."
This thick, creamy stew features 12 "grains" to represent the Twelve Apostles and cod to denote Jesus. It takes days and many hands to prepare, a meal befitting Ecuador's elaborate Lenten traditions.
Glenn Frankel's new book about the making of the classic Western sets its tumultuous production against the backdrop of the Hollywood "Red Scare," drawing parallels between celluloid and reality.
The Japanese artist is known for her "infinity rooms," which have mirrored walls that make the space feel endless. Six of those rooms are now on display at the Hirshhorn Museum in Washington, D.C.