The song fluctuates between a background choir of voices and beats; it feels like we're there, sitting in conversation with friends and strangers, as the walls pulse.
You can almost hear a sly grin as The Afterglows' sea of hate swells with piano, hand claps and a reverb-heavy guitar solo, undercutting that misty-eyed sweetness with a slight sneer.
Despite the poor sound quality, Tristano's newly unearthed Personal Recordings from 1946-1970 are fascinating. Free jazz can be rambunctious, but these musicians step and listen carefully.
The two Lone Star State artists join forces once again on the EP Texas Moon, which begins with a slow and heavy song that breathes sensuality (with an emphasis on the "B" in R&B).
Don Gonyea speaks to country-punk musician Sarah Shook of Sarah Shook & the Disarmers about the group's new album, "Nightroamer," and Shook's journey to sobriety.