Fully embracing the D.C. punk band's pop and experimental leanings, Priests' first album isn't a direct response to the state of the nation so much as a state of mind.
Fifteen years after her debut, the Americana singer-songwriter teams up with Iron and Wine's Sam Beam to craft an album that's both gentle and gnarled.
After Celebration Rock fixated on staying young and feeling raw, the Vancouver duo's new album re-envisions youth as a passageway to a new and better place.
After more than a decade on the road, the prolific punk singer (of Swearin' and p.s. eliot fame) releases her solo debut in a bold attempt to unhitch love from nostalgia.
NPR's Kelly McEvers talks to Uchenna Ikonne, a Nigerian music scholar, about Onyeabor's career and how he turned his back on music to become a born-again Christian in the 1980s.
Hints have been trickling out since late in 2016, but the official word is here: The latest album from Dirty Projectors is self-titled and due out Feb. 24 on Domino Records.
Fussell's cover of the Jimmy Lee Williams song marks a move into more existential territory: The maturing artist is now less a force of nature than someone keen to sync with its rhythms.