Meet the Writer: Poet and SLAM Organizer, Ismael Khatibu
No one saw her flower.
No one truly saw her flower.
Arts
Meet the Artist: Nathan Bedsole of Estrangers
When you hear about bands, you think of CDs. But there is a group who records their songs on vinyl.
Piedmont Craftsmen Celebrates the Arts and 50 Years of Growth
One triad organization is about to celebrate 50 years of creating great art. Recently, WFDD radio camper Layth Khan spoke with one of the members.
Elsewhere's Southern Constellations Artist-in-Residency Invites Audience to Become Performers
Southern Constellations is a National Endowment for the Arts funded curatorial project now in its first season at Elsewhere, Greensboro's living museum. The fellowship program brings six dynamic artist teams from across our region for special residencies at Elsewhere that explore experimental art in the South. Composer, soprano saxophonist, ethnomusicologist, educator, and arts organizer Andrew Raffo Dewar is the fourth of six Southern Constellations fellow artists to work on site at Elsewhere.
For Actress Ruby Keeler, Another Opening, Another Show
The 1930s film star dropped out of sight for decades, only to return as the toast of 1970s Broadway.
Focusing on Meditation and Yoga: An Interview with Jacob Felder
Begin by bringing your attention literally within. Beginning with the legs, bring your attention….
Forro In The Dark: Building On The Sound Of Brazil's Northeast
Forro in the Dark gets its name from a style of Brazilian dance music, but it doesn't conform to those limitations, instead drawing on influences from Enrique Iglesias to Beck. Hear an interview with the band, as well as a studio performance showcasing its new songs.
Before There Was Punk, There Was A Band Called Death
Before The Clash, The Sex Pistols, or The Ramones, there was A Band Called Death. That's the name of the new music documentary co-directed by Charlotte, North Carolina filmmaker Jeff Howlett.
A Dark Family Secret Hidden For Years In Alaska's 'Wilderness'
When the Pilgrim family first arrived in Alaska, they looked to be from another century. They didn't use calendar months, they called their father "Lord," and they knew how to live in the wild. But, as Tom Kizzia writes in Pilgrim's Wilderness, that rugged facade helped conceal a history of abuse.