Greek filmmaker Yorgos Lanthimos finds both pathos and dark comedy in the machinations surrounding England's Queen Anne in his period dramedy The Favourite.
The art and entertainment company Meow Wolf in Santa Fe, N.M., has had startling success in the past two years. NPR's Ari Shapiro talks with CEO and co-founder Vince Kadlubek about the transition from artist collective to multimillion dollar company.
The spare, slightly creepy off-white cover of Laura Adamczyk's debut collection is perfect for the uncomfortable stories within it, works that examine family, childhood, adulthood, gender and race.
NPR recently wanted to know: What about America are you most thankful for? Our audience answered, and writer Kwame Alexander crafted an epic poem of celebration and gratitude from the replies.
Peter Farrelly's tale of a black musician chauffeured through the Deep South of the 1960s by a white driver is "a well-meaning but glib and shallow ode to interracial healing."
The sequel to 2015's winning overhaul of the venerable Rocky franchise is "is a more listless and ordinary film than Creed by any measure, but still a rewarding one."
The title Josephine Wilson's new novel refers to its protagonist, an elderly man who feels useless, extinct — and whose journey is to find the means for growth and change within himself.
Malek sang at the top of his lungs while playing Queen's iconic lead singer in the new biopic Bohemian Rhapsody. Still, he says, "No one can sing like Freddie Mercury."
The sequel to Wreck-it Ralph is awash with jokes about cross-promotion, brand extension, comments sections and Disney clichés; it feels like the way we live now — with more heart.
H.W. Brands brings to life a transitional era of American politics when the scope and power of the federal government was unknown, as were the boundaries of the United States.