The whole idea of a "quid pro quo" is so fundamental to the human experience that we have all kinds of ways to say it. We look at how our understanding of "quid pro quo" has changed over time.
Le Carré's latest novel presents an aging, embittered spy dealing with multiple claims on his loyalties — and a challenger to his supremacy at badminton, a sport le Carré himself played and loves.
More than a mere chronicler armed with facts and dates, Sam Roberts is a nonfiction writer with the heart of a novelist; he's writing about buildings — but he does so while telling engaging stories.
Flat characters spout banal observations about life against a lush backdrop in Ira Sachs's film, which wastes the considerable talents of its all-star cast.
A horrified soldier in Afghanistan witnesses atrocities encouraged by his commanding officer in Dan Krauss' feature film, based on his 2013 documentary of the same name.
The film dutifully captures the 14 songs from the Boss' latest album, but the half-hour of extra interstitial footage doesn't supply any new or meaningful context.
Kathy Iandoli goes far beyond hoisting her heroes upon a pedestal; in rendering them as conflicted, complicated artists struggling against sexism and patriarchy, she wields an illuminating fury.
Hahn says the "complicated and messy roles" she craved came later in her career. In HBO's Mrs. Fletcher, she plays a divorced woman experiencing a sexual reawakening after her son leaves for college.