
Fresh Air
Weekdays at 7:00pm
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

How Trump family business ventures stand to directly benefit the President
by Terry Gross
New York Times reporter Eric Lipton says the Trump family businesses, including their crypto company, are capitalizing on the President's position, and creating unprecedented conflicts of interest.
On 'SNL,' '60 Minutes' And More, How Networks And Cable Covered Kavanaugh
by David Bianculli
Critic David Bianculli looks back at the history of televised government hearings, including the Senate Confirmation Hearings of Supreme Court nominee Brett Kavanaugh.
Robert Redford: The 'Fresh Air' Interview
by Terry Gross
Redford has announced that he's retiring from acting, and that his role in the new film The Old Man and the Gun, will be his last. In 2013, he said it was "sort of weird" being known for his looks.
A Single Act Of Violence Inspires Outrage And Anger In 'Monsters And Men'
by Justin Chang
Reinaldo Marcus Green's haunting new film tells the story of three Brooklyn men whose lives are impacted by the shooting of an unarmed black man by a white police officer in their neighborhood.
Journalist: Poland's Shift Toward Authoritarianism Is A 'Red Flag' For Democracy
by Terry Gross
Atlantic journalist Anne Applebaum says the changes taking place in Poland — including a rise of conspiracy theories and attacks on the free press — mirror similar shifts happening in the U.S.
'Murphy Brown' Returns, With Familiarly Defiant — And Heavy-Handed — Humor
by David Bianculli
Twenty years later, the core surviving members of the original cast are back, and so is the show's proudly liberal spirit. If you're in tune with that, then Murphy Brown, once again, is for you.
'Jane Fonda In Five Acts' Reveals The Shifting Identities Of An Icon
by John Powers
Susan Lacy's terrific HBO documentary examines Fonda's juicy, controversial life in five parts. The first four are named for a man under whose influence Fonda lived; in the fifth, she stands alone.