Movie Reviews

From the writers of 500 Days of Summer, The Spectacular Now examines the not-so-spectacular markers of teenhood: the awkwardness and anxiety that everyone must endure. Shailene Woodley and Miles Teller are the two lovers at the forefront of this story based on a novel by Tim Tharp.

Blue Jasmine finds the filmmaker stuck in old ruts; though his technique is as sound as ever, his worldview seems to have congealed decades ago. Cate Blanchett, Sally Hawkins and Alec Baldwin star in a story inspired by Bernie Madoff and Blanche DuBois.

Arguably the greatest thrill comedy of the silent era, Harold Lloyd's classic Safety Last gets a pristine new release courtesy of the Criterion Collection.

Two new documentaries are making headlines. Gabriela Cowperthwaite's Blackfish centers on the whale that killed a trainer before an Orlando SeaWorld audience in 2010. The Act of Killing by human rights researcher Josh Oppenheimer, looks at the mass executions of communists in Indonesia in the 1960s.

Mads Mikkelsen (TV's Hannibal) anchors The Hunt, a powerful Danish social drama about a teacher whose life is derailed when a 5-year-old's emotional upset sets a citywide witch hunt in motion. (Recommended)

David Edelstein reviews Fruitvale Station, a dramatization of the last day of a man shot by San Francisco transit police in the early morning hours of New Year's Day 2009.

The big movie opening this week is Pacific Rim. Morning Edition's critic says that it has plenty of explosions and special effects — but there's more to it than most blockbusters this summer.

Director Gore Verbinski and star Johnny Depp have turned in a busy, expensive take on the masked lawman of the Wild West. It's long, tone-deaf, and ultimately crushingly bad.

Director Kenneth Branagh has given us fresh Shakespeare and witty modern comedies of manners, and some years ago he turned to opera, with an adaptation of Mozart's classic set in World War I. It's finally available in the U.S., and critic Lloyd Schwartz says the results are disappointingly mixed.

Director Paul Feig and writer Katie Dippold have found a perfect pair of leads for their cop comedy. Critic Bob Mondello says Oscar winner Sandra Bullock and Oscar nominee Melissa McCarthy turn out to have enviable comic chemistry.

Pedro Almodovar's ensemble comedy I'm So Excited is set on an airplane with mechanical problems; Neil Jordan's Byzantium centers on a pair of itinerant English vampires. The two films couldn't be more different, but the two filmmakers are very much in command of their craft.

A new film from Sofia Coppola, who made Lost in Translation and Marie Antoinette, is based on the real-life story of a group of Southern California teens who, in 2008 and 2009, began breaking into the homes of celebrities and stealing everything from designer clothing to watches and jewelry.