Movie Reviews

M. Night Shyamalan's new movie Glass is the third part of a trilogy that nobody knew was a trilogy until a few months ago.

Shyamalan's latest film stars Bruce Willis, Samuel L. Jackson and James McAvoy in an eccentric, perilously self-indulgent sequel that braids together two previous movies: Unbreakable and Split.

The debut feature from Melissa B. Miller strains to endear itself to viewers — and some performances succeed. But the characters lack personality and the drama any conflict.

Netflix and Hulu both have documentaries about the fiasco of Fyre Festival available this week. Both are serviceable, but there are some differences, and some ethical questions about both.

Paraguay's Oscar submission to this year's best foreign film category is a tender, quietly magical gem about a middle-aged aristocrat forced to start over.

In this stirring documentary, the secret archive maintained by members of the Warsaw Ghetto comes to vivid life through historical footage and reenactments.

The final film in a stealth trilogy that began with Unbreakable, Glass is heavy on portentous explanations of comic book tropes that require no explanation. It's also just plain heavy. And slooow.

Rachel Martin talks to Kenneth Turan, film critic for the Los Angeles Times, about the new World War I documentary, They Shall Not Grow Old. It's directed by Academy Award winner Peter Jackson.

Two cowboys who left Singapore for the American West return home to avenge the death of their father in this giddy, fast-paced B-movie.

A Manhattan drug courier has a very bad night in this scrappy but underwritten slacker comedy that plays like an extended sketch.

Peter Jackson's documentary, featuring expertly restored archival footage from the first World War, is "astonishing"; his "digital tools summon empathy, not spectacle."

Nicole Kidman gives an intense performance as a drunken, pointedly unlikable police officer in Karyn Kusama's new film. Critic John Powers says Destroyer is a flawed, but fascinating, noir thriller.