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There's a lot more to "Take Me Out to the Ball Game" than "peanuts and Cracker Jack."
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On the heels of a new memoir sharing the recipes of a rich cultural life, rap's first tour guide talks aging with the culture, seeing its influence all over, Basquiat's lasting legacy and gatekeeping.
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Ever think your Zoom meeting could be live theater? Well, PlayZoomers brings the theatrical experience online. They've just published "Comedies for the Virtual Stage," a collection of short plays the group has staged.
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Moroney's album arrives as a new kind of music from Big Pink: The Georgia-born singer/songwriter spins out tales of romantic revenge with a smooth fluency that's a stark contrasts to her raspy drawl.
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Journalist Beth Gardiner says the fossil fuel industry is increasingly reliant upon plastic products. Her book is Plastic Inc.: The Secret History and Shocking Future of Big Oil's Biggest Bet.
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John Sayles launched an independent film movement with his film "Return of the Secaucus 7." His new novel tells of Henry Ford's social engineering of both his workers and Detroit.
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The shortlisted titles include novels and novellas from authors and translators spanning four continents, with stories that range from Japanese-controlled 1930s Taiwan to the streets of Tehran in 1979.
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Set in a quaint Irish village, The Keeper follows The Searcher and The Hunter, and solidifies the crime series' status as a contemporary classic.
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Josh Owens spent four years as a video editor and field producer for Jones' Infowars media company. "It was all about making things look cinematic," he says. Owens' memoir is The Madness of Believing.
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The K-pop group has officially returned from its four-year hiatus bigger than ever. Based solely on first-week sales, there's only one artist who has done any better.
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Growing up, Barbara Grier was confused and frustrated by the literature available about lesbian love.
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Toni Morrison, the author and Nobel laureate, died seven years ago, but her work is still with us.