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Starting with this year's nominations, the Grammy Awards will split its prize for country album of the year into two distinct categories: traditional and contemporary.
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Smith revisits her childhood and offers insights into her marriage in a new memoir. Bread of Angels offers an intimate, if imperfect, view of the visionary punk poet.
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The Doobie Brothers, now more than 50 years in, start this set with "Takin' It to the Streets" and never let off the gas.
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Snider's supercharged relationship with her art form and open-book stance on depression and anxiety shine through in her new opera, which debuts this week in Los Angeles.
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"Interleavings" is the inaugural exhibition at Interval, a new arts space that's part of Winston-Salem's Marshall Street Project, an effort to revitalize the area with culinary and creative opportunities.
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The Spanish singer Rosalía talks about her new album 'Lux,' a head-spinning, epic album that features classical music, opera and the artist singing in 13 languages.
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Despite singing of heartbreak or sadness, Emily King's barely-contained excitement brightens the room between each tune.
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Recently, the godfather of a music and dance genre known as Chicago Footwork came to London. But why are British fans so keen on this fast-paced American subculture?
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Billboard says Xania Monet is "the first known AI artist to earn enough radio airplay to debut on a Billboard radio chart."
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Melissa Ann Pinney's photographs capture everyday moments of adolescence inside Chicago Public Schools over the course of a seven-year artist residency.
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What does Damn Yankees, a 1950s musical have to say to audiences in 2025? With its themes of selling your soul to the devil to get a win or power or beauty, quite a bit.
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Snocaps, the new band of Katie and Allison Crutchfield, released a surprise album today. The sisters, who have been making music together for more than two decades, sound better than ever.