The sequel to Pixar's beloved 2003 fish tale retains that movie's charms, but taking its main character out of the ocean makes for a thinner and less textured story.
Director Carlos Saura takes the viewer through a single, stunning performance of Argentinian dance in which political themes emerge from the continuous flow of music, motion and mood.
As boys, Chris and Eric made an ingenious shot-for-shot remake of Raiders of the Lost Ark that earned cult status. A new documentary reunites them to film the one shot they never managed to get.
A new documentary revisits Genovese's 1964 murder and the 38 bystanders who allegedly did nothing to stop it. Critic John Powers says the film is "a useful moral corrective" to the popular narrative.
Pixar's sequel to Finding Nemo opens 13 years later and it's called Finding Dory. In it, Nemo's friend Dory, voiced by Ellen DeGeneres, goes on a quest to find her parents.
The editor Maxwell Perkins discovered and nurtured authors like Hemingway and Fitzgerald. The new movie Genius has him wrangling thousands of pages from the writer Thomas Wolfe.
A new film tells the story of book editor Max Perkins, who worked with F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe. Critic David Edelstein says Genius "isn't quite ingenious enough."
The gang discusses The Lonely Island's new movie, then looks back at other films that find humor in the foibles of musicians. And, as always, we close with What's Making Us Happy this week.
In a new documentary Brian De Palma, director of both blockbusters (The Untouchables) and kinkily voyeuristic films (Dressed to Kill) looks back on a career of cinematic carnage with great candor.
Michael Grandage's strangely staid film about novelist Thomas Wolfe and his editor Maxwell Perkins struggles to capture the passions that drove their famously explosive professional relationship.