Critic Chris Klimek says this small-scale, sun-blasted tale of an aging Wolverine's efforts to protect a young mutant "plays like the King Lear of the X-saga."
A bitter retiree hopes a few good deeds will salvage her reputation in this insipid dramedy. MacLaine is Hollywood royalty, but this film is strictly peasant fare.
Critic Ella Taylor admires the performances, but says director Bart Freundlich's latest is a "modestly pleasing, unsurprising indie about a family undone by anger issues."
Welles moved Shakespeare's mostly peripheral character to the center of this 1965 film. Critic Lloyd Schwartz says the performance "may be the most profound moment of Welles' entire film career."
A young white woman brings her black boyfriend home to meet her parents in director Jordan Peele's first feature film. Critic David Edelstein says Get Out is a comic thriller worth seeing.
Up for best animated feature, this French-Swiss stop-motion tale of a young boy's life in a group home offers a small, meticulously detailed story that leavens melancholy with humor.
Comedian Jordan Peele's debut feature as writer/director is a blisteringly smart horror film buoyed by the "shimmering, righteous anger" of its take on race, says critic Chris Klimek.
This Chinese-U.S. co-production, based on a graphic novel by Chinese rock star Zheng Jun, pads its way through a familiar story about a mastiff who wants to make it big in the music industry.
An intimate portrait of high school friends caught up in the aftermath of a violent incident places us inside their heads with sensitivity and restraint.