Gimme The Loot is a new independent film that's had a charmed life, including winning the best narrative prize at South by Southwest and an appearance at Cannes. The comedy is written and director by Adam Leon.
This macho action film starring Gerard Butler and Morgan Freeman is a vigilante fantasy about terrorists and turncoats invading the United States. It's a popular genre, but critic David Edelstein says he's tired of the American addiction to these tropes.
Harmony Korine's Spring Breakers, Sally Potter's Ginger & Rosa and Cristian Mungiu's Beyond the Hills are wildly different films, yet they share a common impulse: to demonstrate indelibly how for girls, behaving outrageously is still a political act.
There are three reasons to see this prequel to the classic 1939 film The Wizard of Oz: the trio of witches played by Mila Kunis, Rachel Weisz and Michelle Williams. But James Franco, who stars as the wizard-in-the-making, disappoints — and the film as a whole is a bit snoozy.
In the 1950s, as movie directors were trying to offer TV watchers something they couldn't get on a small screen, Cinerama films threw three simultaneous images onto a curved screen to create peripheral vision. Two classic Cinerama films — This Is Cinerama and Windjammer — are now out on DVD.
The film is ripe with a creepy-crawly feel that would be affecting if the tone weren't so arch. Directed by Park Chan-wook, written by Wentworth Miller and starring Nicole Kidman, Mia Wasikowska and Matthew Goode, Stoker is a vile little chamber horror, says critic David Edelstein.
The story of Jack and his beanstalk has been filmed innumerable times by people as diverse as Gene Kelly, Chuck Jones and the Three Stooges. While he's been through the Hollywood shuffle before, there's never been a Jack tale that's delivered so little pleasure for so many dollars.
The Baltimore Ravens hope to top off their run to the Super Bowl with a win in the big game Sunday. If they do, they'll continue a trend of unlikely champions — six of the past eight Super Bowl victors weren't the top seeds in their conferences.
In Paolo and Vittorio Taviani's new film, Caesar Must Die, a group of prisoners put on Shakespeare's Julius Caesar. It's barely an hour and a quarter, and it's physically small-scale, but it's so compressed it wears you out — in a good way.
The Oscar-nominated documentary directed by Dror Moreh is not a defense of Israeli security policy, but a critique. The six Shin Bet heads Moreh interviews may believe in the tactics they devised, but it's the overall strategy they think is flawed.