Maureen Corrigan

Jonathan Dee likes to write about rich, good-looking people falling apart — and who among the 99 percent of us can't enjoy that plot? In The Privileges, the dad of the family was a Wall Street trader, tempted by existential boredom into larceny; in A Thousand Pardons, the dad of the family is a partner in a New York law firm, tempted by existential boredom into a disastrous workplace affair.

Man awakens to find out he has turned into an insect. And the Double Jeopardy question is, "What is Kafka's The Metamorphosis?" Well, what other response could there possibly be? Kafka all but cornered the market on that verminous plot in 1915; although, after nearly 100 years, the exclusivity clause may be about to expire. It takes a gutsy writer to pad in Gregor Samsa's sticky steps, but, by now, Rebecca Miller is clearly used to coping with the anxiety of influence and staying true to her own vision.

I don't have a good track record when it comes to raving about Karen Russell. Last year, along with my two fellow judges, I nominated Russell's novel, Swamplandia!, as well as two other finalists, for the Pulitzer Prize. Result? The Pulitzer Board made headlines by deciding not to give out the award in Fiction. Nevertheless, I rave on: this time about Russell's new short story collection, Vampires in the Lemon Grove.